Archives for August 2013

September – From the Editor

Well, September is here, and with the new month comes the very first issue of Iowa Decanted!  Needless to say, I’m absolutely thrilled about it’s release.  It’s been a wonderfully hectic couple of months leading up to this point, and though I’ve enjoyed every moment, it’s good to turn the page and move onto the next chapter.  And, like any good story worth reading, the next chapter will only get better.

You’ll notice as you navigate through our site that we’re doing things a bit different than the average online publication.  One of the things you’ll probably notice first is the fact that we are ad-free.  The next might be the fact that everything on the site is free and open to the public.  Our reasons for doing this are both aesthetic (nobody likes those pesky ads crowding website, right?) and ideological – and we believe that doing it this way will only make our readers’ experience that much better.  You might be wondering right about now how we’re going to manage to sustain this publication if we aren’t pursuing those traditional routes of income; time is money, after all, and it takes a lot of time to produce a monthly magazine.

‘Generosity 1.0’ is what we came up with.  It’s a philosophy which allows us to avoid any sticky ethical dilemmas and keeps us up and running.  How well and how long it’ll last depends on one thing… you.

Head on over to our Support page to get the full picture.

The wine industry of Iowa is in a state of rapid evolution, and we’re thrilled to be in the position to help.  Don’t be shy about navigating the site, and feel free to share the things you find with your friends, family, and colleagues.  And, of course, if you have anything you’d like to share with us don’t be afraid to contact me directly at nick@iowadecanted.com.  Our site is also in a state of evolution and feedback is always valued (albeit constructive feedback).

Before signing off, I’d like to express my utmost gratitude to my small team of collaborators and contributors.  Without them this wouldn’t have happened.  Thanks, team.

Cheers!

Nick Thornburg
founder, editor-in-chief

The Question of Terroir

In the study of wine, one often runs across the term terroir, particularly when the discussion revolves around wines from the Old World.  Wines from the famed region of Burgundy can rarely be brought up in conversation without mention of terroir (for an example, refer to the New York Times article from 2011 on Burgundy Terroir).  Terroir is a french term which refers to the unique characteristics of a certain place, the components of which are geography, geology and climate.  It is said that these unique elements can lend distinct characteristics to a wine (or any agricultural product, for that matter) which add a certain measure of quality to the product itself.  In the case of Old World products, terroir has become a well-touted selling point, but one that is surprisingly hard to define in specific, quantifiable terms.

Iowa has been among the agricultural leaders of the United States for years.  Clearly there is something special about this state. But does terroir have any place in the discussion about Iowa wine?  Does Iowa have a distinct terroir?

Iowa Decanted decided to take the question to the experts, and the answers we received were far different from the otherworldly and oft-times vague or confusing descriptions of terroir we see coming from overseas.  Instead what we got was good old fashioned Iowa straight-talk, clear cut answers from experienced agriculturalists and oenophiles whose confidence was born of many hours of labor in the vineyard and with the tasting glass.

Michael White, viticulture field specialist at Iowa State University’s viticulture extension program leaves the romanticized concept of terroir by the wayside.  “I really do not put much weight in the concept of  ‘Terroir’  and its effect on wine,” wrote White in an email exchange with Iowa Decanted.  “It is an inflated term that is overly flouted.”  Instead, he says, differences in wine can be attributed to the unique cultivars Iowans grow.  And there are plenty of those.  As of this writing there are over 70 varietals listed on ISU Extension’s cold climate cultivar list.

Seth Miller of Cedar Valley Winery in Batavia, Iowa is hesitant to attribute characteristics in his wine to his specific terroir, but out of a lack of something worthy of comparison.  “I really can’t tell you that our our location and our soil is giving a licorice hint with a metallic finish or something,” said Miller.  “We’re making a lot of wine that others in Iowa are not making.  There’s not very many comparables.  I really haven’t been able to line up twenty different varieties that are similar to what we make and make distinctions like that.”

Michael Vincent of Wooden Wheel Vineyards in Keota isn’t hesitant to use the term terroir, but in a strictly scientific sense, and in reference to the makeup of his particular plot of land.  But, like White and Miller, the conversation about terroir is a relatively minor point in a longer conversation about the grapes themselves.  “One must consider his own specific location and his terroir.  On our farm we have soil types that range from Mahaska with a 0% slope to Lindley which has a 10% slope.  Our vineyard is primarily [Ladoga] soil with a 2-4% slope,” wrote Vincent, in response to Iowa Decanted’s inquiry.  “The climate, weather and soil of SE Iowa – these are all critical factors in our varietal selection.”

In other words, the specific makeup of the land, or terroir, doesn’t influence the quality of the finished wine by infusing it with some unique characteristics, rather the terroir simply informs the grower about how and what he or she will grow.

ISU Extension offers potential growers many resources in an effort to help them understand the relationship between the specificities of the land and grape-growing.  Among these is a document which urges growers to ‘carefully and honestly analyse site liabilities and assets.’  This is reasonable advice since the makeup of Iowa is actually quite varied.  By inspecting a soil region map of Iowa (such as the NRCS soil regions map), one will notice 22 distinct regions spread across the state.  The DNR’s Bedrock Geologic Map is equally as diverse.  Soil surveys, like the ones published on the NRCS website, reveal at a closer level just how divergent Iowa’s land can be.

Traditionally, grapes headed towards the wine press had to be grown in an environment with a long but not overly hot growing season, a short winter, an adequate amount of rainfall during the spring and early summer, dry conditions during the late summer and early fall, no late-spring frosts, and no early-fall frosts.  That meant the best place to grow the wine grapes of the world were in Mediterranean or Marine West Coast climates (a resource for the understanding of how geography affects wine growing, see Brian J. Sommers’ The Geography of Wine).  But in recent years breeders have produced a wide variety of new wine grape cultivars which can survive, and even thrive, in the mid-west’s more intemperate climates.  With a little research growers can approach their vineyard plan in a strategic manner by finding and planting cultivars which are adapted to local growing conditions.

“In general terms being further south allows us to look at some varieties not grown in areas further north, like Noiret, which is believed to be cold tolerant to -15F compared to Marquette (which we also grow) that can be winter hardy down to -35F and is grown in both Iowa and Minnesota,” wrote Michael Vincent of Wooden Wheel Vineyards.

“On the climate map we have a little area in southeast iowa that juts up from Missouri and so we kind of have the climate down here that northern Missouri gets, the rest of Iowa does not get.  So that’s really benefited our winery in particular because we kind of push the limits on the varieties of grapes that we’re growing,” said Seth Miller of Cedar Valley Winery.  “It gets too cold for our grape vines to be grown in other areas of the state and they will either die out because of the low freezing temperatures during the year or the growing season is not long enough for the particular grapes that we grow to ripen out.  And one particular variety that we grow is Cynthiana.  It’s a native American grape that makes a really great full-bodied dry red wine.  They grow it a lot down in Missouri, over in Virginia, [and] some of the southern states.”

ISU’s Michael White acknowledges that certain elements of Iowa’s soil can influence its wines but, in contrast to the viticulturalists and winemakers of the Old World, does so without attributing its terroir or alluding to other unquantifiable forces.  “Our winemakers do tend to deal with higher levels of potassium and nitrogen due to our highly fertile soils,” wrote White.  “Nitrogen is good for the fermentation and the potassium tend to increase the tartrates in our wine and increases the pH higher than we, the winemaker, would like.”

Not very dreamy, but luckily the magic of terroir isn’t what makes wine great – hard work, experience, and know-how make that happen, and Iowans seem to have plenty of that.

Lucas McIntire, Winemaker

Steel tanks line one wall of the winery at Kirkwood Community College in Cedar Rapids, Iowa. The light reflecting off their seashell patterned brush marks makes them seem like a large-scale art installation, but their glow is only the result of a long bank of fluorescent overheads. Labels on their faces indicate what they contain: 33.9 gallons of Edelweiss, 47 gallons of Frontenac Gris. On a nearby table, a carboy of Frontenac Blanc ferments; a bubbling, murky yellow mass in a large glass container. Tubes, buckets, cords, and bottles are scattered about like eclectic decorations.  A whiteboard with scrawled instructions and hurried illustrations sits alone in the center of the room.

Presiding over this workshop is Lucas McIntire. His long dark hair is pulled back and contained beneath a kerchief.  His skin is tanned, evidence of his long hours in the vineyard.  Despite having spent the day picking grapes, he seems full of energy and eager to talk.

“This is my 12th vintage, and I’ve made at least 100,000 gallons of wine, if not 120, so I’ve got plenty of experience to share with all my students,” says McIntire with evident pride.  A confident and disarming smile comes to his lips.

McIntire is the winemaker and vineyard manager at the Vineyard and Winery at Kirkwood. He is also an educator, leading courses for the Wine Making and Winery Facility Management Certificate at the college. The program, which began in 2010, encompasses everything from Wine Making 101 to Fermentation Management and Wine: Pre-bottle to Consumer.

“I want my students to plant their own vineyards and start their own wineries,” says McIntire. “I want you to walk out of my class, and, at least in theory, be able to take the next step and be able to open your own winery.”

So far, McIntire says, he’s had at least two students start their own wineries and has had multiple winemakers take his courses just to refresh their skills.

He stresses hands-on experience in his classroom, making sure students have the tools and the knowledge they need to be able to keep making wine even after the coursework ends. The most important advice he gives to students, he says, is to hold on to their passions and pursue them.

“Don’t give up. If your dream is to have a vineyard or a winery, then go for it, but don’t go in blind,” says McIntire. “I’m here to prevent mistakes. I don’t want to see somebody make a mistake like I did or I could have.”

Students in McIntire’s classes recognize the value in his hands-on approach and appreciate his dedication. Michael Kacher, a former student turned assistant-winemaker to McIntire, says the biggest lesson he learned from his teacher is that “good wine is worth working for.”

“He’s very passionate and always open for our questions,” says Kacher. “He’s always experimenting and doing what he can to make whatever he’s done in the past better, and it shows.”

Out of the 21 varieties of grapes Kirkwood grows, McIntire creates 13 different types of wine. When pressed to make a decision, he says his favorite is the Frontenac Gris, but this changes with his moods.

“It just depends on whether I want a red or a white,” says McIntire with a grin.

It’s easy to get a sense of McIntire’s passion for his work at Kirkwood. As he pops open a bottle of his latest creation (Champagne, or more accurately, Iowa sparkling wine), he exclaims, “Ahhh, magic!”  He seems absolutely giddy about the prospect of getting this new product out the door and in the consumer’s hands.

McIntire says what sets Kirkwood wine apart from other wines is the ideal site selection for the vineyard, as well as the attention to detail in both the winemaking and the vineyard.  It all adds up to what he considers to be a superb product.

“The whites are aromatic and crisp and clean, and the reds are thick and rich and luscious; they’re awesome,” says McIntire. “I think the quality of the wine speaks for itself.”

And quality is the first thing McIntire says he wants consumers of his wine to notice after they take the first sip of his wine.

“I hope it’s just a flavor extravaganza, just a sensory overload in their mouth,” says McIntire as he swirls an imaginary wine glass.  “What is this magical wine that I’m drinking? Oh, it’s Kirkwood, it must be Lucas’s wine, of course!”

People are taking notice of his work, even leaving him notes of gratitude at local restaurants where Kirkwood wine is served. And as McIntire continues to get more accounts, his bottles of wine are becoming easier to find. He says his personal goal is to have sales rise from 300 gallons a year to 500 gallons and eventually 750 gallons.

“I think this should just explode because I think of all the people that go to Kirkwood and then all of the people who are past alumni, if they knew that this wine was out there, it should be flying off the shelves,” says McIntire. “It’s not just local, it’s hyper-local.”

As McIntire makes his wine and further perfects his craft, he says he continues to learn, not just from his every day experiences and experiments, but also from the students he is teaching. It’s not unusual for teacher and students to socialize before class, comparing notes and observations over wine brought in by the students themselves.

“If it’s not me exposing them to some Kirkwood wine, they might be bringing in something from a local winery that I haven’t tried before, and that’s always a learning experience and that’s exposing me to more wines that I wouldn’t normally have bought myself,” says McIntire.

And as he and the program move forward, McIntire says he’s most excited about his latest foray into the world of champagne, as well as a new red grape in the vineyard called Petite Pearl, and the fermenting Frontenac Blanc.

With complete sincerity McIntire says he was born to make wine – and Iowa seems to be the perfect canvas for his many creations.

“Iowans have this creative ingenuity where they can make anything if they have the mindset,” he says, then grins, knowing full well that he is speaking of himself.

DIY Airblast Sprayer

diy_airblast

Air blast sprayers are an essential tool for larger vineyards, used primarily to spread pesticides over large areas in an efficient manner.

They consist of two major components – a high volume fan and a misting device.  Multiple ports located at the end of the mister allow for escaping liquid to be separated into smaller particles and blown in several directions simultaneously.  These particles are then driven deep into the canopy and deposited on both sides of the air buffeted leaves.

It is the only cost effective way to make sure all leaves and surfaces are coated with spray, and it can make all the difference when treating for fungicides or pests.

Traditional Air blast sprayers can cost thousands which can leave them out of the financial reach of smaller vineyards or orchards.  But with a little know-how, small-timers can have the same type of air blast sprayer for a fraction of the cost.

An economical air blast sprayer can be made by taking an off-the-shelf leaf blower and placing the nozzle of a small pump sprayer or electric tank sprayer in front of the air stream.  The air blast is uni-directional, but it has the same effect as the big boys.

I mounted my gas powered leaf blower by suspending it from a chain connected to a tractor umbrella, and I carry my 15 gallon electric sprayer in my tractor scoop.  The nozzle of the sprayer is secured to the underside of the blower with zip ties.  Then, it’s only a matter of starting my blower and setting the speed of the motor.  I am able to squeeze the handle of the sprayer and the spray is blown in front of the air blast and propelled towards my target.  I control the direction by moving the handle up or down or back or forth.  The tractor allows me to drive along and spray where it is needed.

On occasion  I am unable to reach some vines or apple trees.  When this happens I unhook the sprayer and take the electric sprayer nozzle off.  I then carry the leaf blower along with a small hand held pump sprayer.  I put the spray from the small pump in front of the blower and blow the pesticide into the vines or trees.

I suggest that you test your sprayer by putting cardboard into the canopy and spraying water to test the direction and penetration of the spray.  Water particles can be seen easily on cardboard making it easy to see how well the sprayer is functioning.

Using an air blower is an efficient and cost-effective method of spreading pesticides.  The job will be done quicker and with much less pesticides, since the particles of spray are smaller and penetrate deeper.  Be sure to read and follow your pesticide directions.  Take care and Watch out for drift.

This simple blower can be used by large and small operators alike.  If growers have a small treatment area and don’t have the resources  to start up the big air blaster it’s an easy solution, and one that won’t empty the pocket book.

Tomato & Cucumber Salad with Pita Crisps

tomato_cucumber

Morgan Hoenig, of MoGo Organic in Mt. Pleasant, provided this recipe, featuring produce easily found in Iowan gardens.  “It’s a good recipe for this time of year because many people are overwhelmed with tomatoes and cucumbers in August,” says Morgan.

Tomato and Cucumber Salad with Pita Crisps

2 parts cucumber, chopped
2 parts tomato, chopped
1 part onion, chopped
2 splashes of red wine vinegar
1 splash of olive oil
salt & pepper to taste
Mix in bowl.  Let flavors meld together for an hour or so before serving.
Best if allowed to sit over night.

Pita Crisps

4 whole wheat pita breads
olive oil cooking spray, or extra virgin olive oil
coarse salt & ground black pepper to taste

Preheat oven to 425F.

Cut pitas into 4 triangles each. Separate each triangle into 2 halves at the fold. Arrange, rough side up, on a baking sheet. Spritz lightly with cooking spray or brush lightly with oil. Sprinkle with salt & pepper Bake until crisp, 8 to 10 minutes

Pairing Tip

Experiment and try this recipe out with lighter-bodied wines.  The acidity of a dry Edelweiss will fare well with the balance of the dish, and the fruit-forwardness of the varietal should complement the bright cucumber flavors as well.

Q&A with Lauren Chalupsky-Cannon

laurenA native of Shueyville, IA, Lauren Chalupsky-Cannon graduated from the University of Iowa and relocated to Scottsdale, AZ. She spent eight years working for Hyatt Resorts, where she developed a great passion for hospitality and wine.  She pursued her wine studies through reading, tasting, and many trips to wine country.

In 2004, Lauren returned to her hometown and opened her dream business: The Secret Cellar. In addition to operating her wine shop and hosting numerous fundraisers for local charities, she also has designed and teaches wine education classes–pairing wine tasting with food, dancing, golfing, and even painting!

She has completed the Level I Sommelier Course and Exam and is currently studying for the Certified Level II Exam.

She has also earned a judging seat alongside Master Sommeliers at the Mid-American Wine Competition. She writes articles for wine publications, awards medals at the Iowa State Fair Wine Competition, and serves a seat judging wines for Iowa’s first VQA (Iowa Vintners Quality Alliance).

Iowa Decanted recently got in contact with Lauren and asked for her perspective on a few questions.

 

Iowa Decanted: What is the most common misconception about wine you come across with your students and clients?

Lauren Chalupsky-Cannon: Running my wine shop for the last 8 ½ years, I have had countless people walk in the door apologizing they have not stopped in sooner because they “didn’t know much about wine”. There seems to be an idea you must study regions, styles, and wine making in order to be a qualified wine-drinker. That’s a huge misconception. Plus, that’s my job: to study the amazing wines out there, and then ask you the right questions so I can recommend something perfectly suited for you.

ID: What is the most common misconception about Iowa wine you come across?

LCC: The most common comment I hear about Iowa Wines is “I don’t like them since they’re all sweet”. This is ironic, since an Italian wine that owns a large market share right now (I sell a ton of) happens to be one of the sweetest wines around! Even so, not only are Iowa wines made both sweet and dry, but I it seems people don’t think it’s “cool” to like Iowa wines. I tell them to keep an open mind and keep tasting and trying. Grape growers are experimenting with new grapes very year, and wine makers are also bravely trying new styles and techniques.

ID: When a client comes to you to ask for help choosing a wine, how do you go about finding something they will enjoy?

LCC: Everyone has had (or at least heard of) an intimidating wine shopping experience. Egads. Bottom line: my goal is to help you find something you will be happy with. I usually start with: What are you buying the wine for? Is it a gift, to pair with food, to find something new, etc. That helps me get in the mindset of the shopper. Then  I can go deeper and ask: What wine(s) you have tried in the past and really liked? Are in the mood for sweet or dry? White or red? Do you want to stay in a set price range? I often have a bottle of something open and can give a sample. Your reaction will help me understand your palate better so I can recommend a great fit. I love serving people. It makes my day hearing stories about how much my recommendations were hits!

ID: Is is said, especially among wine professionals and enthusiasts, that particular regions can lend certain characteristics to their wines.  What are the characteristics of an Iowan wine, if any?  If there are none, can you explain why?

LCC: No doubt grapes from different regions carry different characteristics. A lot of people ask me why Iowa vineyards grow grapes they’ve never heard of. Iowa’s climate is unique in we grow cold-hearty grapes, not traditional Viniferia like Merlot and Chardonnay. That being said, most of the traditional cold-hearty grapes we grow here have a sweet musky-like fragrance. The easiest way to recognize it is from the grapey-sweet aroma you smell in Concord Grape Juice. However, grape growers are now experimenting with so many new hybrid products, I have tasted (and judged at the Mid-American wine Competition) countless new wines which you would never peg as a made from a cold-hearty grape. Another valuable component in Iowan grapes is a relatively high level of acidity, which makes them perfect to pair with foods!

ID: If you could distill wine and food pairing down to a single sentence, what would it be?

LCC: Students from my Wine 101 Class will giggle about this one, because I use two words: “Magic Sauce”. It is produced when wine and food mix together on your palate to create a new blend of multi-layered, harmonious flavors which blow you away.

Nicholas Herbemont: Viticulturalist, Winemaker, Innovator

Technology and knowledge have evolved over time, enabling the process of winemaking to become streamlined, easier, and better able to produce a higher quality product.

Despite these many changes revolutionizing the wine world throughout the years, one thing remains the same: the passion and drive of the winemaker for producing good wine. Although a gap of more than 150 years separates the wine visionaries of today from Nicholas Michel Laurent Herbemont, a winemaker originally from France living from 1771 to 1839, he possessed the same passion and pride in his creations as the winemakers of today.

“If Bachus himself could condescend to pay us a visit and drink some of my wine, he would readily acknowledge that he never had drank better in his lifetime, and not often as good” –Herbemont, 1832.

Herbemont changed the way many people viewed the practice of growing grapes and making wine in the early 19th century. His revolutionary ideas for grape growing included using high trellises to increase air circulation and keep black rot under control, as opposed to the common practice of growing grapes near to the soil, in the fashion of growers out of his native Europe. In the realm of wine production, Herbemont tried to lead his American peers away from strengthening their wine with Brandy and from using large amounts of sugar to increase the alcohol content.

“The vine has been given to man that it may enliven his spirits, gladden his heart, produce cheerfulness and good fellowship in society, and enable him to support unavoidable afflictions, under which he would frequently sink in despair.” –Herbemont, 1828

He believed in the taste and power of the grapes grown in American soil, and wanted wines to be the vessel of showcasing these grapes. He advocated for a light touch rather than a heavy hand,

The vintner and wine maker published 60 writings in his lifetime including his article “Wine Making” which was published in American Farmer in 1833 and explained his process of wine production. This article was reprinted and reissued many times, making it the most popular and trusted instruction in the process of wine making in America for a generation.

Although he did sell cuttings of his vines and bottles of his wine to the public, Herbemont focused most of his attention on experimentation in order to produce the best possible product. Fame and fortune never seemed to drive his work, rather a simple desire to gain more knowledge and be able to share that with the public spurred him forward.

“The culture of the vine is an art which cannot be easily acquired from the mere analogy with other objects of cultivation; neither can it be learned, except by very few, by books alone.” –Herbemont, 1827.

All of these factors contributed to the Frenchman being recognized as “the finest practicing vigneron of the early United States.” Many of his philosophies and practices are still used today, and many still regard him as a vital forefather in the history of American viticulture and wine making.

Although the last bottle of Herbemont’s wine was consumed in 1915, his legacy lives on through the small grape that bears his name and the winemakers of the day who read his writings.

 

For additional information about Herbemont, refer to the book Pioneering American Wine: Writings of Nicholas Herbemont, Master Viticulturalist, edited by David S. Shields.

Wooden Wheel Vineyards – “The Judge” Norton American Table Wine

This wine is a deep red, near black.  It displays dark earthy aromatics, with hints of charred oak.  Ripe, rounded fruit on the palate.  Medium, almost light bodied with a hint of sourness.   Best served with a protein like pork or beef.

4.5/5 stars

Odessa Vineyards’ J.B. Red – Dry Red Table Wine

Deep rich color, nearly black.  It clings to the glass has leaves strong legs.  Mature cherry and aging plumb notes are accented with a soft vanilla.  The wine is rounded with earthy flavors and a hint of woodiness.  There is a slight fig-like character to this wine as well.  Despite its complexity and deep color, it remains medium-bodied and relatively bright on the palate.  Best served with a meal or hors d’oeuvres with a bit of punch, like aged cheese.

4.5/5 stars

Click here to see where you can find a bottle.

Kirkwood Winery – Summer Sabbatical, Semi-Sweet Wine

Green apple predominates on the nose with undertones of apricot.  Well balanced with near-perfect acidity.  Best served slightly chilled with light dishes like a green salad with raspberry vinaigrette.

4.5/5 stars

Click here to see where you can find a bottle.